During the first full week of February, Mr. Barb and I embark on our 5th journey through song. For the 2nd year our floating sold-out home is The Pearl. Almost 2,400 passengers on a 7-night Eastern Caribbean cruise, with three days at sea and ports-of-call that include St. Maarten & St. Barthelemy. There are over 40 performers.
Every Wednesday at 9:13 am, one of Pittsburgh’s finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Andy Mulkerin of Pittsburgh’s City Paper
In case you missed it here’s what he played with commentary by Andy:
Andre Costello and the Cool Minors, “Tumbleweed (They Call Me)” – Andre is an Ellwood City native and current Pittsburgher who recently released his first solo record through an Ohio boutique label called Wild Kindness. His warm, mature voice is offset at times on the album by sonic experimentation, but there’ms a simple, Americana basis for the tunes. Good stuff.
Jeffrey Lewis, “Cult Boyfriend” – Jeffrey Lewis is one of my favorite lyricists, because he mixes a depth of ideas with a penchant for clever wordplay. Sometimes it feels like he wrote the first line of a couplet as a challenge, to see if he can pull of a rhyme that makes sense. He usually can.
Damien Jurado, “Museum Flight” – Yes, it’s Guys With Guitars Week here on the buzz. The latest full-length from the venerable songwriter, Maraqopa, is forthcoming on Secretly Canadian. This track is gorgeous.
Every Wednesday at 9:13 am, one of Pittsburgh’s finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Tady of The Beaver County Times.
In case you missed it here’s what he played (with commentary by Scott)
The Shins, “Simple Song” – Well, it’s not THAT simple, or else more bands would figure out how to make such an uplifting song. The ingredients are elemental: lilting melody, a catchy hook, a swelling chorus where singer James Mercer scales the heights. The upbeat lyrical message, “you don’t have to go it alone,” inspires without getting bogged down in details. There are a few subtle layers, too, including some brief but pretty piano. Can’t wait to hear the full album, “Port of Morrow,” due out March 20.
Heartless Bastards, “Parted Ways” – Words like “primal” and “throaty” get used when discussing the distinct, powerful voice of Erika Wennerstrom. “I need a little bit of whiskey and a little bit of time to ease my troubled mind,” she sings with a dusty, soulful charm on this post-breakup rumination. Formed in Cincinnati but now based in Austin, Texas, the Heartless Bastards have been characterized as a garage-y, bluesy rock band, but this single also has some alt-country seasoning. See them next month at Club Café at a WYEP-sponsored show.
Every Wednesday at 9:13 am, one of Pittsburgh’s finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Justin Jacobs (talking to us via Skype!), contributing writer to Billboard & Relix Magazine.
In case you missed it here’s what he played with commentary by Justin:
My picks this week cover a few sadly overlooked records of last year. It’s not too late, check them out!
Thee Oh Sees, “Heavy Doctor” - From the band’s 2nd 2011 release, Carrion Crawler/The Dream, this blast of psychedelic-garage punk sounds like an update on The Stooges: raw, fast, weird, awesome. The band is incredibly prolific (6 albums since 2008), and this latest record is among their best. Definitely a lot of fun, and simply wonderful for air guitar practice.
Youth Lagoon, “Afternoon” – This is the opening track from Youth Lagoon’s The Year of Hibernation. It’s an album of dreamy, lo-fi bedroom pop from an actual kid (Trevor Powers) in an actual bedroom (in Boise, Idaho). This is music for rainy day hibernation – under a blanket, maybe. It’s beautiful and sad and makes me feel like I’m inside some bittersweet romantic indie movie.
The Roots, Undun – The latest album from The Roots was released way at the end of 2011, and was understandably overshadowed by the holidays, New Years Eve parties and our collective fear that the world would end in 2012. That’s a shame because it’s really, really good. Even for folks unfamiliar with The Roots’ long hip-hop history, it’s very worth checking out.
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